1х04 "Воровской час" (Gray Hour): ссылки на эпизод...

[Dollhouse]

Данный пост предназначен только для сбора ссылок на торрент-трекеры и сайты, откуда можно скачать эпизод. А также для ссылок на субтитры к эпизоду.

ТОРРЕНТ-ТРЕКЕРЫ:

[на английском языке]

Dollhouse S01E04 HDTV XviD – 350 Mb

Dollhouse S01E04 HDTV XviD – 350 Mb

http://torrent.zoink.it/Dollhouse.S01E04.HDTV.XviD-NoTV.[eztv].torrent
http://www.bt-chat.com/download1.php?id=56407
http://www.mininova.org/get/2352949

Dollhouse S01E04 720p HDTV X264-DIMENSION – 1100 Mb

Dollhouse S01E04 720p HDTV X264-DIMENSION – 1100 Mb

http://torrent.zoink.it/Dollhouse.S01E04.720p.HDTV.x264-CTU.[eztv].torrent
http://www.mininova.org/get/2353216

[на русском языке]

Dollhouse S01E04 HDTV XviD – 350 Mb

Dollhouse S01E04 HDTV XviD – 350 Mb

http://1001cinema.ru/forum/viewtopic.php?p=88100#88100 (релиз-группа 1001cinema)

Перевод: DarkDemon
Редактура: DarkDemon
Озвучка: Morticia, KGJ, Chertenok, kiitos

http://kinozal.tv/details.php?id=263539 (релиз-группа 1001cinema)

Перевод: DarkDemon
Редактура: DarkDemon
Озвучка: Morticia , KGJ , Chertenok , kiitos

http://www.othfilm.ru/forum/viewtopic.php?t=2846 (релиз-группа OTHfilm)

Перевод: Narod28
Редакция: Vlas, Офелия
Озвучание: Офелия, YoTO

Dollhouse S01E04 720p HDTV X264-DIMENSION – 1100 Mb

ФАЙЛООБМЕННИКИ:

[на английском языке]

Dollhouse S01E04 HDTV XviD – 350 Mb

Dollhouse S01E04 HDTV XviD – 350 Mb

http://netload.in/dateiVxclgfQ8ls/Dollhouse.S01E04.HDTV.XviD-NoTV.part2.rar.htm
http://netload.in/dateiOCzJm27XIh/Dollhouse.S01E04.HDTV.XviD-NoTV.part1.rar.htm

http://netload.in/dateiHAUJHgSfJH/dollhouse.104.gray.house-notv.avi.htm

http://rapidshare.com/files/206281479/Dollhouse.S01E04.HDTV.XviD-NoTV.part1.rar
http://rapidshare.com/files/206281088/Dollhouse.S01E04.HDTV.XviD-NoTV.part2.rar

http://www.filefactory.com/file/af4a5e1/n/Dollhouse_S01E04_HDTV_XviD-NoTV_part1_rar
http://www.filefactory.com/file/af4a5dg/n/Dollhouse_S01E04_HDTV_XviD-NoTV_part2_rar

http://www.egoshare.com/download.php?id=94QDF7S44
http://www.egoshare.com/download.php?id=98ANR7L51

http://www.megaupload.com/?d=ENVXMZ9A
http://www.megaupload.com/?d=B6NMNVS8

http://www.uploadline.com/038405223841/dollhouse.104.gray.house-notv.avi

Dollhouse S01E04 720p HDTV X264-DIMENSION – 1100 Mb

[на русском языке]
Dollhouse S01E04 HDTV XviD – 350 Mb
Dollhouse S01E04 720p HDTV X264-DIMENSION – 1100 Mb

СУБТИТРЫ:

[английские]
скачать -->>

[русские]
скачать -->>

(релиз-группа ENPY Studio)

(релиз-группа ENPY Studio)

Перевод: astromeg, ENPY, Kenny McKormick, G@m-E-r, Faust, sveton, Fli, IoG


ПРЕДУПРЕЖДЕНИЕ! Категорически запрещается в комментариях к данному посту писать какие-либо спойлеры по эпизоду или вести его обсуждение.

запись создана: 07.03.2009 в 07:22

@темы: Эпизод 1.04, Сезон 1, Поиск сериала, Ссылки

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Видео: небольшое интервью Джосса для TV Guide.com...

[MarvelGirl]

...есть спойлеры.
Смотреть он-лайн здесь -->>

@темы: Джосс Уэдон и Ко, Видео, Ссылки

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Голосование: 1x03 "Боязнь сцены" (Stage Fright)...

[Dollhouse]

Итак, результаты голосования по третьему эпизоду:

запись создана: 04.03.2009 в 13:57

Вопрос: Как бы Вы оценили эпизод 1x03 "Боязнь сцены" (Stage Fright)?

1. Превосходно!		38	(40.43%)
2. Очень хорошо.		31	(32.98%)
3. Нормально.		21	(22.34%)
4. Так себе.		2	(2.13%)
5. Ужасно!		2	(2.13%)
Всего:		94

@темы: Эпизод 1.03, Сезон 1, Голосование

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Пресс-релиз для 1x07 Echoes...

[MarvelGirl]

Краткое содержание:

читать дальше. осторожно, спойлеры!

A deadly virus outbreak on a college campus sends Echo back to school where pieces of her past come into focus in the “Echoes” episode of DOLLHOUSE airing Friday, March 27 (9:01-10:00 PM ET/PT) on FOX. (DOL-108) (TV-14 D, L, S, V)

В главных ролях: Eliza Dushku as Echo; Tahmoh Penikett as Paul Ballard; Olivia Williams as Adelle DeWitt; Fran Kranz as Topher Brink; Harry Lennix as Boyd Langton; Enver Gjokaj as Victor; Dichen Lachman as Sierra.

На гостевых ролях: Reed Diamond as Laurence Dominic; Miracle Laurie as Mellie; Brett Claywell as Matt; Philip Casnoff as Clive Ambrose; Mechad Brooks as Sam; Josh Cooke as Leo Carpenter; Octavia Spencer as Professor Janack.

@темы: Эпизод 1.07, Сезон 1

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Промо к 1.05 True Believer...

[MarvelGirl]

...смотреть он-лайн здесь -->> (спойлерно!)

@темы: Эпизод 1.05, Сезон 1, Видео

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Президент компании Fox Entertainment о сериале...

[MarvelGirl]

...Кевин Рейли (Kevin Reilly), президент Fox Entertainment, в недавнем интервью для THR.com на вопрос "Есть ли шанс, что "Кукольный домик" и "Хроники Сары Коннор" будут продлены на следующий сезон?" ответил:

– Рекламодателям сериалы понравились. И оба сериала показывают довольно неплохие результаты общих недельных рейтингов. Так что еще рано списывать их со счетов.

Полностью интервью на английском читать здесь.

@темы: Сезон 2, Новости

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Sneak-peak видео, 5 роликов...

[MarvelGirl]

...к эпизоду 1х04 "Воровской час" (Gray Hour).
Смотреть он-лайн здесь -->>
(спойлеры, само собой)

@темы: Эпизод 1.04, Сезон 1, Видео, Спойлер

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Интервью Фрэна Крэнца для iF Magazine...

[MarvelGirl]

FRAN KRANZ SWIPES MINDS CLEAN ON 'DOLLHOUSE'
What makes his character on the show, doll-maker Topher, tick.

By T.K. DEHN, Contributing Writer
Published 2/27/2009

Fran (short for Francis) Kranz has had a good career so far, with roles in features including TRAINING DAY, MATCHSTICK MEN and THE VILLAGE and TV appearances on a variety of series, as well as a regular gig on the short-lived sitcom WELCOME TO THE CAPTAIN. However, Kranz acklowledges he’s never experienced anything quite like the frenzy of interest that has greeted DOLLHOUSE, creator Joss Whedon’s new series on Fox, airing Fridays at 9, which stars Eliza Dushku as Echo, an “Active” whose personality can be wiped and reprogrammed to be anything her employers want. Kranz plays the Dollhouse’s ethically-challenged but brilliant programmer Topher.

читать дальше. есть небольшие спойлеры.

iF MAGAZINE: How did you become involved in DOLLHOUSE?
FRAN KRANZ: I auditioned for it like anything else, but the casting directors for it, Amy Britt and Anya Coloff, cast a show I did just before called WELCOME TO THE CAPTAIN on CBS. I auditioned for DOLLHOUSE while I was still doing this other show. I walked in the room with the people that cast the TV show I thought I was on and they’re casting DOLLHOUSE, and it was kind of understood, "Look, [CAPTAIN is] not going anywhere." And without offending anyone, I think I’m on a better show now [laughs]. [CAPTAIN star] Jeffrey Tambor is such a wonderful actor, John Hamburg’s an amazing writer and a director. Everyone on the show was fantastic and I loved doing it, but it was what it was. It didn’t make it.

iF: Were you prepared for the level of interest that people, especially fans of Joss Whedon, have in DOLLHOUSE? Were people following you around Comic-Con?
KRANZ: No. I went down to Comic-Con with my friends. I had never been there, and that was overwhelming to begin with, but I went in to see the DOLLHOUSE panel. Honestly, I was expecting your typical college lecture room, maybe like two hundred people. There were thousands of people. I only got a seat in the back. I was lucky to get in. My friends were saying, "He’s on the show." It didn’t matter to the security. We finally got in and then the DOLLHOUSE preview came on and I was talking to my friend, and some guy in front of me was [yelling], "Shut up! Shut up!" I looked up on the screen, and there I am on the screen, and this guy’s telling me to shut up. So I understand how much people love Joss and take him seriously, I know how many people care about Joss and the work he’s done, and I want to live up to everyone’s expectations. But I never expected this. I knew who Joss was, I knew he was a big deal, but after I got the part, before we shot the pilot, I went and watched FIREFLY, because I love science fiction. After I saw FIREFLY, I was so obsessed with Joss, it was like I was star-struck coming to set, so I understand how much people love him and how excited people are about the work he’s done and how hopeful people are that this will continue to be great work. I’m hoping to do my best. In terms of [Whedon’s] audience, they’re in the upper class. They’re a sophisticated, demanding audience and I want to do the best I can to have them respect me, because I know I have a role that Joss fans are supposed to like. If Joss has a voice in the show, I have that role. And I don’t want to let his fans down, because I have as much respect for him as I think everyone else does that likes his work. I was crying at the end of SERENITY. I’m obsessed. [Topher is] exactly like the Alan Tudyk character – well, not exactly. But if there’s a kind of personality and that kind of tone, that color for the ensemble, I definitely am the Wash, just in terms of a flavor. I mean, it’s a different world, and Wash is a good guy. Topher is very questionable, but if you’re going to get that humor out of a show that deals with real characters and real human interactions in a science-fiction setting, then I’m very much like Wash.

iF: As a doll programmer, is Topher the only one of his kind?
KRANZ: That’s a good question. I think he’s the best of his kind. I think the technology exists [elsewhere], but it’s like the mass-produced toy, as opposed to the artisan. He really treats his work as art, he really believes in the creative process, whereas I think the people before him, the whole journey that this technology went through to get to where it is, was much more scientific, whereas Topher comes at it from a really creative artistic angle. I think that’s a lot where his God complex comes from, because he looks at himself as a creator and in that sense, dealing with human beings and the human mind, he almost sees something divine about what he does.

iF: Does Topher have that confidence of feeling like, "Well, they’re never going to replace me – without me, the dolls would wake up and tie their shoelaces wrong?"
KRANZ: About ninety-nine percent. His confidence is shaken at some point in the series already. At some point in the series, something happens in the Dollhouse that makes everyone suspicious about maybe a mole or maybe even someone outside of the Dollhouse being able to wirelessly tap in to what we’re doing. That does momentarily shake Topher’s confidence. Because he knows he is the best and Adele, played by Olivia Williams, knows that he is the best in the field and approaches it in a way that no one else does and has the knowledge that no one else does, but once technology is achieved, it’s written down and can be taught. So as far as Topher knows, if he can do it, there’s no reason other people can’t learn it. So as confident and cocky as he is, he doesn’t want any demi-gods messing with him.

iF: Is he showing any signs of growing a conscience?
KRANZ: You know, this is the big question. I think he’s a human like anyone else on the show. So there’s got to be a conscience in there. There’s got to be a good person somewhere in there. Has he found it yet and will he ever find it? I’m not sure. In a way, it’s like his growth was stunted. He’s a child that got what he wanted, because he’s so smart. He’s never met anyone that is smarter than him. He completely rationalizes all the things he’s doing. And he’s insulated himself. I mean, when you see his office, it’s basically like a child’s playroom. The Dollhouse is its own bubble. Topher’s office is a bubble within that and he protects himself, whether he knows it or not, from the horrors of what he does. But in that sense, he erases it and it all goes away. I’m trying to think of a solid line to sort of sum that up: "There’s nothing good or bad but thinking makes it so."

iF: When you got onto the set and they said, "This is your office," was it what you had envisioned from reading the pilot sсript?
KRANZ: Ah, big smile on my face. My first time being on the set, it was probably the best moment I’ve had in my whole career as an actor so far. The set’s breathtaking, and then the office takes up a large chunk of the set. And it’s great, because the kid’s got such a big ego, it’s perfect that his thing almost imposes itself on the Dollhouse. It’s almost an eyesore within the Dollhouse, his observation deck. And I loved it. It’s full of all kinds of random toys and it’s perfect. They did a really great job.

iF: Did anybody say to you, "This is how we want Topher’s equipment to work," or do they just say, "Push whatever buttons you want?"
KRANZ: The latter. It’s "Just do it, just make it up and do it." But we keep consistent. Look, it’s science-fiction. The equipment and the props in the room, the actual set that we were given, we had to make it work, we had to make it as believable as possible with what was there. The buttons I’m pressing, I’ve stuck to it, but was there a lot of thought, did we all sit down one day, was there a long rehearsal process about how this works? No, no, no. Not at all. It’s great, because I do have creative control over my office. It is my space, and in that sense, when we have new directors come in, they ask me how it works. So if anything, it’s helpful for my character in playing the role, because I am the authority of the Dollhouse technology, the way it should be just in the show, the way Topher is the brains behind the operation. People come to me to ask exactly what goes where and where should you be for this part of the process and whatnot. And I do at this point have a bit of a routine. I like to do certain things for certain moments.

iF: Eliza Dushku and Dichen Lachman, who plays the Active Sierra, both talk about how much they love coming in and playing different characters within a single episode. Do you feel any envy of that?
KRANZ: Oh, yeah. When I first got the [sсriрt] sides, because you didn’t get the full sсript auditioning, I just got a little piece of it, [it was a scene with] Topher and Boyd, played by Harry Lennix, and it was so cool, it was so fascinating. I got a sense of what the show was about, because they’re discussing the dolls, and you get it. But when I got the [full] sсript, I realized that the dolls were the greatest showcase for acting. Ultimately, that’s what I’d love to do. I don’t see myself as a comedian or a dramatic actor. I love actors like Peter Sellers, I love people who disguise themselves and transform themselves. So the doll is the perfect showcase for an actor to transform week to week, even more than once a week. And it’s even a challenge to play the Active, the unprogrammed doll. So yeah, I’m very envious of the dolls. But I love Topher.. So there’s a balance. It’s such a gift what I’m getting to do, and I’m not going to forget that and take it for granted. I’m going to try to do the best I can and make the show as good as it can be.

iF: Could Topher have to use the personality-imprinting technology on himself for some reason?
KRANZ: Well, without giving much away, there has definitely been the idea tossed around that Topher might need to put his personality into someone else in case he has to go somewhere, or just for fun, maybe to play chess with someone as smart as him because it’s hard to find people as smart as he is. So we definitely talked about the idea of putting Topher’s personality in other dolls. I’d like to see some of these actors try and imitate me. Dichen may wind up being Topher. Hey, I would love my chance at a doll. I’ve got something to prove, you know? [It’s been said] the first half of the series is more episodic; the latter half gets into the mythology and the story of the show. I don’t know if that’s really the case, but the episodes we’re doing right now are as good as anything I’ve ever read or I can think of on television, so I’m excited to watch it as much as anything I’ve ever seen or anticipated. So I’m hoping people really like it, because I think this is going to be a really original, provocative series that not only Joss fans but just TV fans in generally should really, really enjoy. Joss directed the scenes I did of [Episode] Thirteen I assume he’s doing [the entire episode]. I think Tim Minear is doing number Twelve. I haven’t seen all the scripts, but I’ve got a pretty good idea of what’s going on. It’s really wild stuff, man. It’s so exciting. I’m real fortunate to be on this show. I just want to make sure I do the best I can, because it was really overwhelming and a little humbling to see how many people love this guy. It’s going to be an awesome show.

© источник

@темы: Пресса, Тофер Бринк – Фрэн Крэнц

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Спойлер от известного телеманьяка Майкла Озиэлло...

[MarvelGirl]

Question: Do you have any Dollhouse tidbits? --Jenni
Ausiello:

читать дальше на свой страх и риск...

The show's mythology will really start to unfold on April 3 when, through a series of flashbacks, we learn who Echo was and the underlying "why" and "how" she ended up being lured into the Dollhouse.

@темы: Сезон 1, Новости, Спойлер

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Интервью Элайзы для A.V. Club...

[MarvelGirl]

Eliza Dushku
by Scott Tobias February 27, 2009

Eliza Dushku was in her early teens when she started appearing in movies like 1993’s This Boy’s Life and 1994’s True Lies, but her nascent Hollywood career took off when Joss Whedon cast her as brash bad-girl Faith in his cult TV series Buffy The Vampire Slayer. In the years since, Dushku took prominent roles in Bring It On, City By The Sea, and the horror vehicle Wrong Turn, and she appeared for two seasons in the title role in the Fox science-fiction show Tru Calling. Now, Dushku has reunited with Whedon for the new Fox series Dollhouse, about an underground operation where “actives” can be imprinted with personalities and abilities that suit a client’s needs. Dushku plays an “active” named Echo who’s ostensibly a blank slate, but who’s haunted by stray memories and impulses that didn’t get erased. (It’s sort of a cross between Alias and Eternal Sunshine Of The Spotless Mind.) Two weeks into the show’s run, Dushku talked to The A.V. Club about the challenge of playing dozens of personalities, the cult of Whedon, Fox’s tinkering, and why viewers should wait for the show to hit its stride.

читать дальше. спойлеров почти нет. особенно интервью интересно тем, что здесь уже открытым текстом сказано, в какой момент студия более-менее отстала от джосса и позволила ему снимать свой сериал.

The A.V. Club: Dollhouse arose from a four-hour lunch you had with Joss Whedon. How did that conversation evolve? Where did the concept of the show come from?

Eliza Dushku: Joss and I have been friends since we worked together back in the Buffy days. I moved here at 17, and he was a big-brother figure, a mentor, and an unbelievable ally. And we would get together after the show ended and just sort of talk about life and choices and careers. We sat down initially to sort of do that again, and it just so happened that four hours into our lunch, we ended up with a show.

AVC: So going into that lunch, you actually did not even have an idea for the show?

ED: No. I had just made a deal with Fox, a film and television deal, and had thought about what it would be like to come back to TV. And I can’t lie, there was one person on my mind that I wanted to do that with, and it was Joss. And so a week later, when I took him to lunch, I didn’t have anything in mind, but I knew that I wanted his input and ideas, because he’s one of the most relevant and unbelievable writers and storytellers of our time.

AVC: So was the concept his or yours? Where did the idea for Dollhouse come from?

ED: Ours? I’m not a creator, so I can’t take that kind of extreme credit. But the show is sort of, Joss has said, biographical in the sense that it has so many parallels and identifications with my own life. And as we sat there talking about my career, my life as an actress, life in this business, life in this society today, and people having the Internet, and having so much control and wants and needs and sexuality and desires, the show sort of came up from him looking at my life and going, “You know, you really do wear so many different masks on a day-to-day basis.” And that’s fascinating to me, as a woman and as an actress, that we could put together a concept to showcase all of that. There’s a lot going on!

AVC: The show has gone through its share of delays and retooling. What was going on with it before, and what was done to work it out?

ED: We shot the first pilot, Joss did, in sort of a noir style, and I think first and foremost,Fox didn’t like that feel. So there were a few things they wanted different, and they wanted the story to unfold in different ways. It was a big deal for Fox, and they have a lot invested in the show, so absolutely their opinion matters. So we retooled it, and instead of doing a cut-and-paste job with the pilot and doing reshoots, Joss just sort of went, “I have an idea that I think that you’re looking for, so let me just reshoot a new pilot.”

AVC: It isn’t like Joss is some new kid on the block, though. He has a lot of shows under his belt, and he’s got this large cult following. Is it frustrating when you get that kind of feedback?

ED: Honestly, yes. I understand it from a business perspective, and from Fox’s view, but at the same time, we’ve now done 13 episodes, and people have said that the show took off once they finally realized that Joss is best off left alone to do his thing. That happens around episode six—six through 13 are just extraordinary. I love one, two, three, four, and five, but Joss’ first sсript that he did after the pilot is number six, which is called “Man On The Street,” and it is just unbelievable. From that point on, the world unfolds in Joss’ way, with Joss’ speed, and it’s really remarkable.

AVC: Are you biting your nails in the interim? There are still a few more weeks before that episode airs.

ED: I think it’s going to be important for Fox and for us to really push that message. Every show needs time to grow, and it’s really difficult to set up a show, especially one with such a complicated, complex premise, that’s so multi-dimensional. We wanted—and Fox also wanted—the first six episodes to be episodes people could pick up and understand what was going on even if they were late getting to the party, which I agree with. So the first six episodes are more self-contained. But once we sort of hit that place where the show takes off, I think it’s going to be important to send some screener copies back out there to some of the reviewers that maybe didn’t jump on board the first time around, or some of the diehard Joss fans that felt they were missing his voice in some of the first shows. Because his voice is back, and it’s loud, and it’s as exciting as ever once we get rolling.

AVC: How are you feeling about the network? Have you been given any assurances from them about allowing the show time to develop and cultivate its audience?

ED: I have a great relationship with the network. They’ve been straightforward and honest and communicative through this whole process. Every time something has happened with the show that was surprising or confusing, I’ve gotten phone calls where I heard it straight from them, and they gave me a why and a reason. And from everything they’ve told me, they believe in the show, they want the show to grow, they believe the show is a crossover that will grow past Joss’s firm fan base. But it’s a tricky time right now. It’s a tricky time in all the entertainment business, and they absolutely just keep reiterating their investment and their confidence in Joss and myself and the show as a whole.

AVC: What do you take away from the first week’s performance, and being on Friday nights in general?

ED: I think that people have to get used to Friday-night television, because it hasn’t been around for some time. Which I find sort of strange myself. I truly am not just saying this because my show’s on Friday nights, but I can just remember being in on Friday nights, because let’s be honest, you can’t go out and rage necessarily both nights every weekend. [Laughs.] I like to have one night on the weekend where I can just cuddle up at my house. But I think it’s going to be interesting to see how that happens. And with our economy right now, and where we are in our country, and with Obama saying we need to scale back and cut down with this inordinate amount of consuming we do, we need to take responsibility, and I think this is a nice reason to give people to stay home on Friday nights. [Laughs.]

AVC: In a promotional interview you did for the show, you talked about how it would show a side of you that Joss has seen, but that maybe other people haven’t. What did you mean by that?

ED: Well, when I moved to L.A. at 17, I had just come out of high school. I grew up and went to public school in Boston. I was a tomboy and had three big brothers. I had created an entire survival mechanism, just “Kill or be killed.” Basically, protect yourself at all costs. I was definitely that tough tomboy. And as I got to know Joss, and every year that I sort of recovered from middle school, I have developed a lot of other colors. I have a lot of vulnerability, I think I have a pretty fair sense of humor at all times—which you can see a little bit in Bring It On, a little bit in Jay And Silent Bob—but really, I think Joss just wanted to give me an opportunity to showcase some of the other parts of my personality. There’s a softie, there’s a love in me. [Laughs.]

AVC: Echo seems like the opposite of Faith, at least when she’s in the Dollhouse. She does have a certain curiosity, but she’s also blank and subservient, for the time being, anyway. Was that a conscious decision for you and Joss? To have her so far removed from the character that you had established so strongly in the previous series?

ED: It’s important for the formula of the show. It’s important that in order to be imprinted to be anyone, she has to start as no one. She has to start as a blank slate.

AVC: Is it a challenge to convey that?

ED: It is, but it’s also strangely peaceful, in a way, because you’re just completely void of fear or inhibition or self-consciousness, and that’s actually, especially in this day and age, kind of liberating, and a lovely place to escape to.

AVC: It’s very childlike.

ED: I always channel the 6-year-old me when I’m doing my Echo. Well, at least for the first part of the season.

AVC: As Echo becomes more self-aware and perhaps less childlike, the dynamics of the show stand to change pretty dramatically. How do you pull that off without losing a grip on the basic idea of the show?

ED: I think that’s what makes the show fascinating. I think the main question has been “How are people going to come back every week with a heroine that they don’t recognize?” And I think that the point is that as Echo becomes self-aware and starts to evolve past this giant system that’s objectified her, people will be rooting for her strength and her evolution as a woman and human being.

AVC: You’ve done several personalities over the course of 13 episodes. Do any stand out as particularly fun to do?

ED: I did love playing the blind cultist in an episode from Tim Minear, who is one of my favorite writers, who has been with us since the Buffy days, and Angel as well. They implant cameras into my eyeballs and send me into a cult compound as a true believer to get intel on what’s happening inside. And yet, because we’re not spies, because we’re not in the loop, so to speak, I just go in there as a pure true believer. And that was very interesting.

AVC: Do you have a sense of what you can and can’t pull off? Is this show testing where your limits are as an actress?

ED: I think that remains to be seen, and Joss has a lot of confidence in me. He’s said on a few occasions that at the end of the day, he wants to take me out of my comfort zone as much as possible. And he’s done that quite a bit. For the first 13 shows, I asked for every single bit of it. So I’m game for it all.

AVC: Would you be game for, say, a musical episode of Dollhouse if such a thing were conceived?

ED: I’m game for whatever he’s bringing.

AVC: What’s it like being a part of Joss Whedon’s cult? What are the upsides and downsides of that kind of intensity?

ED: Well, on a personal level, I have one of the best friends in the world in Joss, and from a fan standpoint, a lot of love, but also a lot of scrutiny. Based on having this show [Buffy] that came seemingly out of nowhere and was a hit, despite the network not necessarily supporting it, fans really feel like they discovered something that people weren’t on to yet. So I think they feel very protective, and with that comes some insecurity. Like a child, they don’t want it to fail. And then comes a certain level of expectation. They’re very involved, but at the same time, I can’t think of anything more flattering and admirable than that kind of passion, and that kind of devotion and loyalty.

AVC: Do you remember what the fan reaction was like when you first appeared as Faith on Buffy?Were you braced for whatever that was going to be?

ED: Kind of. I didn’t expect it, but at the same I could feel, as we continued, that something magical was going on. So I definitely knew that we were making something special, and I think it was satisfying to have it received so well, and to have it end up being such an important piece of that puzzle.

AVC: Do you ever get interested in how a character like that ends up taking off in the subculture? Have you followed Faith or Echo in other realms? Comic books and fan fiction—do they interest you at all?

ED: Sure, it absolutely does. Because my friends do it, my friends are involved in it. I mean, Joss does so many of those comics, and it’s just fascinating to me. It’s a world that I really didn’t know before I knew him. It’s fantasy, and yet you can exaggerate everyday, universal themes and use metaphors to really drive the message home.

AVC: Are you done shooting the 13 episodes?

ED: We finished the 13th episode about two weeks ago, and since then, I’ve been on a full-blown press tour. I actually just got back to L.A. two days ago, and every morning, I’ve been doing radio and talk shows and shock jocks. It’s been really fun, but I’m just glad that it’s finally here. We had that lunch two Augusts ago, and it’s nice that it’s here. And again, we want people to come and show up on our first Friday night, but we want people to stick around and see the show evolve. Especially for some of our diehard fans, take it through episodes six through 13, because that’s where I feel Joss got to take the reins back a little bit. And the show really gets pretty remarkable at that point. The first six episodes are sort of tailored and monitored for the network and for people that are late to the party, and every episode is more or less self-contained, and people can come into the show and get the premise. But that being said, there were some things we had to sacrifice.

AVC: And then it’s more novelistic toward the back half?

ED: Yeah, Joss is a novelist. He’s best when he has his chapters to roll out the stories and the personalities of the people and the places.

AVC: With the shooting done for now, what are your plans in the interim? What are you working on next?

ED: I’m producing a biopic, and I’m producing a couple other things, and also acting in them. The work will be hard, especially since we just finished such an arduous shoot, but I’m ready for the next challenge. I have a new outlook on my career at this point, because this is a career I tripped and fell into, and it took me a few years to realize that I have such an opportunity. I’ve been redefining who I want to be in this business in the past few years, and with the added producer element, it’s just a whole new level of excitement.

© источник

@темы: Пресса, Эхо – Элайза Душку

---

1x03 "Боязнь сцены" (Stage Fright): ссылки на эпизод...

[Dollhouse]

Данный пост предназначен только для сбора ссылок на торрент-трекеры и сайты, откуда можно скачать эпизод. А также для ссылок на субтитры к эпизоду.

ТОРРЕНТ-ТРЕКЕРЫ:

[на английском языке]

Dollhouse S01E03 HDTV XviD-LOL – 550 Mb

Dollhouse S01E03 HDTV XviD-LOL – 550 Mb
http://torrent.zoink.it/Dollhouse.S01E03.HDTV.XviD-NoTV.[eztv].torrent
http://www.bt-chat.com/download1.php?id=56190
http://www.mininova.org/get/2328783

Dollhouse S01E03 720p HDTV X264-DIMENSION – 1100 Mb

Dollhouse S01E03 720p HDTV X264-DIMENSION – 1100 Mb
http://torrent.zoink.it/Dollhouse.S01E03.720p.HDTV.x264-CTU.[eztv].torrent
http://www.mininova.org/get/2329871

[на русском языке]

Dollhouse S01E03 HDTV XviD-LOL – 550 Mb

Dollhouse S01E03 HDTV XviD-LOL – 550 Mb

http://1001cinema.ru/forum/viewtopic.php?t=8084 (релиз-группа 1001cinema)

Перевод: DarkDemon
Редактура: DarkDemon
Озвучка: Morticia, KGJ, Chertenok, kiitos

http://www.othfilm.ru/forum/viewtopic.php?t=2785 (релиз-группа OTHfilm)

Перевод: Narod28
Редакция: Vlas, Офелия
Озвучание: Офелия, YoTO

Dollhouse S01E03 720p HDTV X264-DIMENSION – 1100 Mb

Dollhouse S01E03 720p HDTV X264-DIMENSION – 1100 Mb

http://www.othfilm.ru/forum/viewtopic.php?t=2786 (релиз-группа OTHfilm)

Перевод: Narod28
Редакция: Vlas, Офелия
Озвучание: Офелия, YoTO

ФАЙЛООБМЕННИКИ:

[на английском языке]

Dollhouse S01E03 HDTV XviD-LOL – 550 Mb

Dollhouse S01E03 HDTV XviD-LOL – 550 Mb

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[на русском языке]

СУБТИТРЫ:

[английские]
скачать -->>

[русские]
скачать -->>

(релиз-группа ENPY Studio)

(релиз-группа ENPY Studio)

Перевод: astromeg, ENPY, Kenny McKormick, Fli, G@m-E-r, Faust, IoG

скачать -->>

(релиз-группа OTHfilm)

(релиз-группа OTHfilm)

Перевод: Narod28, Алиса
Редакция: Vlas, Офелия


ПРЕДУПРЕЖДЕНИЕ! Категорически запрещается в комментариях к данному посту писать какие-либо спойлеры по эпизоду или вести его обсуждение.

запись создана: 28.02.2009 в 08:01

@темы: Эпизод 1.03, Сезон 1, Поиск сериала, Ссылки

---

Тамо Пеникетт, видео-интервью...

[m.A.Y.a.]

... для Hollywood411; источник: tvguide.com
Cмотреть онлайн здесь

-->>

-->>

@темы: Пол Бэллард – Тамо Пеникетт, Видео

---

Голосование: 1x02 "Мишень" (The Target)...

[Dollhouse]

Результаты голосования:

запись создана: 26.02.2009 в 11:08

Вопрос: Как бы Вы оценили эпизод 1x02 "Мишень" (The Target)?

1. Превосходно!		20	(25.32%)
2. Очень хорошо.		49	(62.03%)
3. Нормально.		8	(10.13%)
4. Так себе.		0	(0%)
5. Ужасно!		2	(2.53%)
Всего:		79

@темы: Эпизод 1.02, Сезон 1, Голосование

---

Эпизод 1.06 – Man on the Street – стилы (UHQ)...

[MarvelGirl]

+ 4 штуки

@темы: Эпизод 1.06, Сезон 1, Эхо – Элайза Душку, Пол Бэллард – Тамо Пеникетт, Фотосъемки

---

Термины, названия...

[Crisl]

Давайте определимся с терминологией сериала...

В первую очередь:

имя главной героини на русском – именно Эхо, ни в коем случае не Эко. Почему? Потому что имя выбрано "говорящим" не просто так, и его значение ни раз будет обыгрываться в диалогах и сюжете сериала. И хотя обычно имена переводить не стоит, в данном случае это необходимо – по звучанию перевод практически не отличается от оригинала, зато весь смысл, заложенный в имени, понятен сразу всем и безо всяких объяснений.

Doll – Кукла – обитатель "Домика" в состоянии, близком к бессознательному, в котором он пребывает между загрузками сознания;
Active – Актив – "Кукла" после загрузки нового сознания;
Handler – Куратор – наблюдатель и телохранитель, приставленный к каждому Активу, когда тот отправляется на задание;
Treatment – сеанс – процедура стирания или загрузки нового сознания;
Engagement – задание;
Imprint – импринт;
Attic – Чердак.

Какие еще термины по Вашему требуют однозначного перевода?

запись создана: 21.02.2009 в 17:53

@темы: Вопрос

---

Пресс-релиз для 1x06 Man on The Street...

[MarvelGirl]

Краткое содержание:

читать дальше. осторожно, спойлеры!

Echo becomes the perfect wife for a lonely internet mogul (guest star Oswalt), and Sierra’s attacker is revealed. Meanwhile, Mellie’s life is in danger and Agent Ballard’s investigation takes a surprising turn when he comes face-to-face and goes fist-to-fist with Echo for the first very time in the “Man on The Street” episode of DOLLHOUSE airing Friday, March 20 (9:01-10:00 PM ET/PT) on FOX. (DOL-106) (TV-14 D, L, S, V)

В главных ролях: Eliza Dushku as Echo; Tahmoh Penikett as Paul Ballard; Olivia Williams as Adelle DeWitt; Fran Kranz as Topher Brink; Harry Lennix as Boyd Langton; Enver Gjokaj as Victor; Dichen Lachman as Sierra.

На гостевых ролях: Amy Acker as Dr. Claire Saunders; Reed Diamond as Laurence Dominic; Miracle Laurie as Mellie; Kevin Kilner as Hearn; Liza Lapira as Ivy; Mark A. Sheppard as Tanaka; Aisha Hinds as Loomis; David Barry Gray as Bicks; Patrick Stinson as Brett Locano; Patton Oswalt as Joel Mynor.

@темы: Эпизод 1.06, Сезон 1

---

Эпизод 1.03 - Stage Fright - стилы (UHQ)...

[m.A.Y.a.]

+ 5 штук

UPD2: добавила  MarvelGirl:

+ 5 штук

запись создана: 07.02.2009 в 02:04

@темы: Эпизод 1.03, Сьерра – Дичен Локмэн, Сезон 1, Эхо – Элайза Душку, Фотосъемки

---

Промо к 1.04 Gray Hour...

[Xomaaa]

...смотреть он-лайн здесь

-->> (спойлерно!)

-->>

@темы: Эпизод 1.04, Сезон 1, Видео

---

Видео: интервью Джосса...

[MarvelGirl]

...для TVGuide.com (есть спойлеры).
Смотреть он-лайн здесь -->>

@темы: Джосс Уэдон и Ко, Видео

---

Dollhouse Ink. как организация

[Crisl]

В различный дайриковских (и не только) дисскуссиях мелькает мысль, что КД сильно засекреченная, но не "шибко умная" организация. То есть технология то высокая, но опасно дает сбои. Агнетура и клиенты могут приподнести сюрприз. И вообще, куда смотрит ФБР или ЦРУ или полиция. От них тоже можно ждать всяких сюрпризов.

А еще мелькнула у меня мысль - а один ли такой КД, нет ли еще таких же организаций. Тогда подстава с Альфой может иметь совсем другой подтекст.

@темы: Дискуссия